{"id":23798,"date":"2024-11-12T07:06:31","date_gmt":"2024-11-12T04:06:31","guid":{"rendered":"https:\/\/candname.com\/tr\/?p=23798"},"modified":"2024-11-10T15:13:07","modified_gmt":"2024-11-10T12:13:07","slug":"bir-ask-hikayesi-ve-bir-dengbejlik-eseri-feqi-u-qiza-mele","status":"publish","type":"post","link":"https:\/\/candname.com\/tr\/?p=23798","title":{"rendered":"Bir a\u015fk hik\u00e2yesi ve bir dengb\u00eajlik eseri: &#8216;Feq\u00ee \u00fb Q\u00eeza Mele&#8217;"},"content":{"rendered":"<h3>&#8216;Feq\u00ee \u00fb Q\u00eeza Mele&#8217; isimli a\u015fk hik\u00e2yesi, Arap edebiyat\u0131 kaynakl\u0131 olup bir\u00e7ok dilde edebi eserlere konu olmu\u015f ve ayn\u0131 zamanda Kur\u2019an\u2019da ge\u00e7en &#8216;Yusuf ve Z\u00fcleyha&#8217; k\u0131sas\u0131 ile bir\u00e7ok ortak \u00f6\u011fe bar\u0131nd\u0131rmaktad\u0131r. Yaln\u0131z bu hik\u00e2yede &#8216;Yusuf ve Z\u00fcleyha\u2019dan farkl\u0131 bir \u00f6\u011fe olarak kad\u0131n karakter de\u011fil erkek karakter evlidir.<\/h3>\n<p>\u201cFeq\u00ee \u00fb Q\u00eeza Mele\u201d yani \u201c\u00d6\u011frenci ve Hocan\u0131n K\u0131z\u0131\u201d b\u00f6lgemizde ya\u015fanm\u0131\u015f g\u00fczel bir a\u015fk hik\u00e2yesi ve ayn\u0131 zamanda dengb\u00eajlik eserlerine de konu olmu\u015f bir olayd\u0131r. K\u00fcrt edebiyat\u0131n\u0131n iki g\u00fc\u00e7l\u00fc ekol\u00fc bu eserde bulu\u015fmu\u015ftur denilebilir. Yaz\u0131l\u0131 ve s\u00f6zl\u00fc K\u00fcrt edebiyat\u0131 bu eserde kesi\u015fiyor. S\u00f6zl\u00fc bir k\u00fclt\u00fcre dayanan K\u00fcrt halk edebiyat\u0131n\u0131n \u00f6nemli bir dal\u0131 olan Dengb\u00eajlik gelene\u011fine ait olan bu eserin\/a\u015fk hik\u00e2yesinin ya\u015fand\u0131\u011f\u0131 mekan, yaz\u0131l\u0131 klasik K\u00fcrt edebiyat\u0131n\u0131n kayna\u011f\u0131 olan medrese \u00e7evresidir.<\/p>\n<p>Hik\u00e2yenin \u00fc\u00e7 kahraman\u0131 da medrese k\u00fclt\u00fcr\u00fc ile ili\u015fkilidir. Hik\u00e2yenin ba\u015f karakterlerinden biri olan \u201cFeq\u00ee\u201d, K\u00fcrtlerde tarihsel e\u011fitim kurumu i\u015flevi g\u00f6r\u00fcp as\u0131rlarca K\u00fcrt\u00e7e anadilde e\u011fitimin ve yaz\u0131l\u0131 K\u00fcrt edebiyat\u0131n kayna\u011f\u0131n\u0131 te\u015fkil eden medrese e\u011fitim sisteminde orta-lise d\u00f6nemi \u00f6\u011frencisine verilen add\u0131r. \u201cMela\u201d ise \u201choca\u201d anlam\u0131nda olup hem cami imaml\u0131\u011f\u0131 yapan hem de medresede \u201cm\u00fcderris\u201d vasf\u0131 ile ders verip \u00f6\u011frenci yeti\u015ftiren e\u011fitmen\/\u00f6\u011fretmendir. Hik\u00e2yede ba\u015fkarakter olan \u201cFeq\u00ee\u201d yaz\u0131l\u0131 edebiyat\u0131n kayna\u011f\u0131 olan medrese \u00f6\u011frencisidir, ayn\u0131 zamanda da s\u00f6zl\u00fc edebiyat eseri olan \u201ck\u0131lam\u201d\u0131n icra edicisi \u201cdengb\u00eaj\u201ddir. Di\u011fer ba\u015fkarakter olan \u201cTelli Ay\u015fan\u201d da hem yaz\u0131l\u0131 edebiyat\u0131n e\u011fitimcisi olan \u201cMela\/M\u00fcderris\u201din k\u0131z\u0131d\u0131r hem de \u201cdengb\u00eaj\u201ddir.<\/p>\n<p>Ben bu eseri, \u00fc\u00e7 y\u0131l \u00f6nce \u015e\u0131rnak \u00dcniversitesi\u2019nin d\u00fczenledi\u011fi \u201cUluslararas\u0131 Dengbejlik K\u00fclt\u00fcr\u00fc ve Dengbejler Sempozyumu\u201dna \u201cAway\u00ea Vegotina \u201cGot \u00fb Got\u201d Di Edeb\u00eeyata Dengb\u00eaj\u00eey\u00ea de Wek M\u00eenak: Kilama \u201cFeq\u00ee \u00fb Q\u00eeza Melle \/ Dengbejlik Edebiyat\u0131nda (Dedi-Dedi\u2019li Tarz\u0131 S\u00f6yleyi\u015f): Talebe ve Hocan\u0131n K\u0131z\u0131 \u0130simli Eser \u00d6rne\u011fi\u201d ba\u015fl\u0131\u011f\u0131 ile K\u00fcrt\u00e7e bir tebli\u011f olarak sunmu\u015ftum. Dengb\u00eajlik edebiyat\u0131nda icra edilen eserler anlat\u0131m y\u00f6n\u00fcnden birka\u00e7 t\u00fcre ayr\u0131lmaktad\u0131r. Bunlardan biri de \u201cDedi-dedi\u2019li Tarz\/Away\u00ea Got-Got\u201d\u2019 \u015feklinde olan\u0131d\u0131r. Esere olduk\u00e7a etkili ve \u00e7arp\u0131c\u0131 bir anlat\u0131m katan bu t\u00fcr s\u00f6yleyi\u015fte, diyaloglar adeta bir film \u015feridi gibi canland\u0131r\u0131lm\u0131\u015f olur. Amans\u0131z bir m\u00fccadele ve at\u0131\u015fma atmosferi yans\u0131t\u0131l\u0131r.<\/p>\n<p>\u201cFeq\u00ee\u201d, \u201cMela\u201d ,\u201cm\u00fcderris\u201d gibi b\u00f6lgemizin tarihsel e\u011fitim kurumlar\u0131 olan medreseler ile ilgili bu e\u011fitim kavramlar\u0131 hakk\u0131nda ayr\u0131nt\u0131l\u0131 bilgi i\u00e7in, b\u00f6l\u00fcm yazar\u0131 oldu\u011fumuz ve P\u0131nar Yay\u0131nlar\u0131&#8217;nda bu y\u0131l \u00e7\u0131kan &#8216;Mu\u015f: Tarih, Toplum, Siyaset ve Haf\u0131za&#8217; isimli kitaptaki \u201cMu\u015f\u2019un K\u00fclt\u00fcrel Zenginli\u011fi: Medreseler\u201d isimli makalemize bak\u0131labilir.<\/p>\n<p>Bu dengb\u00eajlik eserinin\/k\u0131lam\u0131n iki kahraman\u0131ndan biri olan \u201cFeq\u00ee\u201dnin lakab\u0131 Hasan\u2019d\u0131r. As\u0131l ismi Abdullah\u2019t\u0131r. Kendisi A\u011fr\u0131\u2019n\u0131n Patnos il\u00e7esine ba\u011fl\u0131 K\u0131zkapan k\u00f6y\u00fcndendir. Feq\u00ee Hasan, Mu\u015f\u2019un Bulan\u0131k\/Kop il\u00e7esine ba\u011fl\u0131 olup yeni ismi Ad\u0131var olan \u015eervan\u015feyh k\u00f6y\u00fcnde Medrese e\u011fitimi almaktad\u0131r. \u015eervan\u015feyh k\u00f6y\u00fc eskiden beri medrese e\u011fitiminin bulundu\u011fu bir merkezdir. Bu k\u00f6y Bulan\u0131k ile Mu\u015f aras\u0131nda Murat Nehri ile bu nehrin b\u00fcy\u00fck bir kolu olan ve H\u0131n\u0131s \u00c7ay\u0131 da denilen Heftreng Nehri&#8217;nin birle\u015fti\u011fi yere, Duavan b\u00f6lgesine yak\u0131n bir yerle\u015fim yeridir. Bir d\u00f6nem, Osmanl\u0131&#8217;n\u0131n sonlar\u0131nda b\u00f6lgenin askeri idarecili\u011fini yapm\u0131\u015f olan Halid Beg-i Hesen\u00ee\u2019nin de karargah\u0131 olan \u015eervan\u015feyh k\u00f6y\u00fcnde b\u00f6lgenin me\u015fhur ulema ve m\u00fcderrislerinden Mela Osman-i Xoros\u00ee de medrese hocal\u0131\u011f\u0131 yapm\u0131\u015ft\u0131r. Yani bu a\u015fk hik\u00e2yesi Mu\u015f\u2019un Bulan\u0131k il\u00e7esinde ya\u015fanm\u0131\u015ft\u0131r. Takriben 1920&#8217;li y\u0131llarda. Etmanek\u00ee a\u015firetine mensup olan Hasan, yak\u0131\u015f\u0131kl\u0131 bir gen\u00e7 ve ayn\u0131 zamanda iyi bir dengb\u00eaj\/ses sanat\u00e7\u0131s\u0131d\u0131r. K\u00f6y medresesi m\u00fcderrisi ve cami hocas\u0131 \u00c7uxur\u00ee a\u015firetine mensup Mela Muhammed\u2019tir. Mu\u015f\/Bulan\u0131k ve Nor\u015fin aras\u0131 b\u00f6lge \u00c7uxuri\/Berj\u00ear\u00ee a\u015firetinin \u00f6nemli bir merkezdir. Bu a\u015firet zaten alim ve mollalar\u0131 ile \u00fcnl\u00fcd\u00fcr. Mela, bu b\u00f6lgedeki Morx k\u00f6y\u00fcndendir. Bu k\u00f6y Nor\u015fin\u2019e ba\u011fl\u0131d\u0131r.<\/p>\n<p>Hocan\u0131n gen\u00e7, g\u00fczel ve \u00f6zg\u00fcven sahibi bir k\u0131z\u0131 vard\u0131r. Ad\u0131 Telli Ay\u015fan. Genelde medreseler camiye biti\u015fik olur ve hocan\u0131n evi de genelde camiye yak\u0131n yerde olur. Bu nedenle hocan\u0131n ailesinin talebeleri g\u00f6rme imk\u00e2n\u0131 hep olur. Telli Ay\u015fan bu yak\u0131\u015f\u0131kl\u0131 talebeye g\u00f6nl\u00fcn\u00fc kapt\u0131r\u0131r. Belli ki Telli Ay\u015fan\u2019da da dengbejlik kabiliyeti var. A\u015f\u0131k gen\u00e7ler ara ara bulu\u015furlar. Gen\u00e7ler birbirleri ile tan\u0131\u015fma fas\u0131llar\u0131n\u0131, a\u015fklar\u0131n\u0131, evlilik tekliflerini vs. hepsini dengb\u00eajlik dili ile yani kar\u015f\u0131l\u0131kl\u0131 k\u0131lam\/melodik bir dil ile aktar\u0131rlar. Ay\u015fan, delikanl\u0131 ile evlenmek ister ama bir sorun vard\u0131r. Feq\u00ee Hasan bir y\u0131l \u00f6nce evlenmi\u015ftir. Bu kar\u015f\u0131l\u0131kl\u0131 melodik diyaloglarda Ay\u015fan, ikinci e\u015f yani kuma\/h\u00eaw\u00ee olmay\u0131 da kabul etti\u011fini ilan eder. E\u015fine sad\u0131k kalan Feq\u00ee, Ay\u015fan\u2019a \u201cd\u00fcnya ahret ana-bac\u0131ms\u0131n\u201d der. Bu cevap Ay\u015fan\u2019\u0131 olduk\u00e7a \u00fczer. Bu fedakarl\u0131\u011f\u0131na da olumlu bir cevap alamayan Ay\u015fan\u2019\u0131n a\u015fk\u0131, bu sefer hiddete ve k\u0131zg\u0131nl\u0131\u011fa d\u00f6n\u00fc\u015f\u00fcr. Bu y\u00fczden son olarak \u201cFeq\u00ee\u201dye: \u201c\u00d6yleyse kitap ve defterlerini al ve \u00e7abucak k\u00f6y\u00fcm\u00fcz\u00fc terk et, defolup git buradan\u201d diyerek diyalo\u011fu noktalar.<\/p>\n<p>&#8216;Feq\u00ee \u00fb Q\u00eeza Mele&#8217; isimli bu a\u015fk hik\u00e2yesi, Arap edebiyat\u0131 kaynakl\u0131 olup bir\u00e7ok dilde edebi eserlere konu olmu\u015f ve ayn\u0131 zamanda Kur\u2019an\u2019da ge\u00e7en &#8216;Yusuf ve Z\u00fcleyha&#8217; k\u0131sas\u0131 ile bir\u00e7ok ortak \u00f6\u011fe bar\u0131nd\u0131rmaktad\u0131r. Yaln\u0131z bu hik\u00e2yede &#8216;Yusuf ve Z\u00fcleyha\u2019dan farkl\u0131 bir \u00f6\u011fe olarak kad\u0131n karakter de\u011fil erkek karakter evlidir. Yine K\u00fcrt yaz\u0131l\u0131 ve s\u00f6zl\u00fc edebiyat\u0131n\u0131n parlak bir eseri olup K\u00fcrt edebiyat\u0131n\u0131n &#8216;Yusuf ve Z\u00fcleyha&#8217;s\u0131 olarak nitelendirilen &#8216;Zembilfro\u015f Destan\u0131&#8217; ile de baz\u0131 ortak noktalar bar\u0131nd\u0131ran &#8216;Feq\u00ee \u00fb Q\u00eeza Mele&#8217; eseri, &#8216;Zembilfro\u015f&#8217;tan farkl\u0131 olarak sadece s\u00f6zl\u00fc versiyonludur.<\/p>\n<p>\u201cKew\u00ea Ribat\/Keklik Sesli\u201d lakab\u0131 ile bilinen \u00fcnl\u00fc Dengb\u00eaj \u015eakiro(\u015eakir\u00ea Bed\u00eeh \/\u015eakir Deniz), \u201cFeq\u00ee \u00fb Ke\u00e7ik\/ \u00d6\u011frenci ve K\u0131z\u201d, \u201cFeq\u00ee \u00fb T\u00eal\u00ee Ey\u015fan\u201d adlar\u0131yla icra etmi\u015ftir. \u015eakiro, bir\u00e7ok defa hikayenin kahraman\u0131 olan Dengb\u00eaj Feq\u00ee Hesen\u2019i ziyaret ederek bu klam\u0131 bizzat kendisinden alm\u0131\u015ft\u0131r. Dengb\u00eaj Nehsoy\u00ea Zado, Dengb\u00eaj Sadiqo gibi dengbejler de Dengb\u00eaj Feq\u00ee Hesen\u2019den etkilenip bu sanat\u0131 \u00f6\u011frenmi\u015f isimlerdendir. Feq\u00ee Hasan\u2019\u0131n aile ve akrabalar\u0131ndan da bir\u00e7ok dengb\u00eaj \u00e7\u0131km\u0131\u015ft\u0131r. Feq\u00ee\u2019nin bu eseri Dengb\u00eaj Feyzo-yi R\u0131zo gibi dengbejler de \u201cFeq\u00ee \u00fb Q\u00eeza Mele\u201d ad\u0131yla seslendirmektedirler.<\/p>\n<p>S\u00f6zl\u00fc edebiyat \u00fcr\u00fcn\u00fc olan bu gibi eserler, s\u00f6zl\u00fc anlat\u0131 teorisi ilkesi gere\u011fince her s\u00f6yleyi\u015fte hik\u00e2yenin temel yap\u0131s\u0131 ayn\u0131 kalmakla beraber c\u00fcmle ve kelime baz\u0131nda farkl\u0131 bir versiyon olu\u015fmaktad\u0131r. Her s\u00f6yleyi\u015fte mutlaka bir fark olu\u015fur. \u00c7\u00fcnk\u00fc yaz\u0131l\u0131 metne dayanmad\u0131\u011f\u0131 i\u00e7in her s\u00f6yleyi\u015fte kelimesi kelimesine ayn\u0131 kalmas\u0131 m\u00fcmk\u00fcn de\u011fildir. \u00d6rne\u011fin bu eserde Feq\u00ee\u2019nin k\u00f6y\u00fc olan \u201cK\u0131zkapan\u201d ismi ba\u015fka bir s\u00f6yleyi\u015fte \u201cKa\u011f\u0131zman\u201d olmu\u015f. Eserin bestekar\u0131 olan Dengbej \u015eakiro\u2019nun seslendirmesinde bir y\u0131ll\u0131k evli olan Feq\u00ee ba\u015fka bir icrada alt\u0131 \u00e7ocuk babas\u0131 yap\u0131lm\u0131\u015ft\u0131r. Bu durum farkl\u0131 dengb\u00eajlerin ayn\u0131 eseri icras\u0131nda g\u00f6r\u00fcld\u00fc\u011f\u00fc gibi ayn\u0131 dengb\u00eajin ayn\u0131 eseri seslendirmesinde de g\u00f6r\u00fcl\u00fcr. Bu eserin ayn\u0131 dengb\u00eaj taraf\u0131ndan icra edilmi\u015f iki farkl\u0131 \u015fekli:\u00a0\u015eakiro 1\u00a0,\u00a0\u015eakiro 2<\/p>\n<p>\u0130ki ba\u015fka dengb\u00eaj taraf\u0131ndan s\u00f6ylenmi\u015f \u015fekilleri de \u015f\u00f6yle:\u00a0Feyzoy\u00ea R\u0131zo\u00a0,\u00a0Muhemed\u00ea Agir\u00ee<\/p>\n<p>Bu durumu ayn\u0131 eserin bu farkl\u0131 seslendirmelerinde de g\u00f6rmek m\u00fcmk\u00fcnd\u00fcr. Ayr\u0131ca bu ilgin\u00e7 eserin baz\u0131 diyaloglar\u0131n\u0131 da a\u015fa\u011f\u0131ya al\u0131yoruz:<\/p>\n<p><strong>Ke\u00e7ik\u00ea digo:<\/strong>\u00a0Lolo Feq\u00eeyo bejna te ne kin e ne dir\u00eaj e\/<br \/>\nFenan\u00ee ta\u015f rihana li dev\u00ea gel\u00eeya ber zinara gelo ji k\u00eaf\u00ea ra \u015fax dav\u00eaje\/<br \/>\nMalxirabo hela tu j\u00ee were pirsa esil \u00fb esasa xwe ji min ra bib\u00eaje\/<br \/>\nHere lo, here lo, gid\u00ee lo gid\u00ee lo\/<\/p>\n<p><strong>Feq\u00ee digo:\u00a0<\/strong>De l\u00eal\u00ea ke\u00e7ik\u00ea ez gul im tu rihan \u00ee\/<br \/>\nmalxirab\u00ea ez \u015f\u00fb\u015fe me tu f\u00eencan \u00ee\/<br \/>\nMalxirab\u00ea ez bax im tu bostan \u00ee\/<br \/>\nGid\u00eey\u00ea l\u00ea ez l\u00eav im tu diran \u00ee\/<br \/>\nTu s\u00ear bike ez ber im tu bistan \u00ee l\u00ea l\u00ea\/<br \/>\nMalxirab\u00ea e zar im tu ziman \u00ee\/<br \/>\nHeger tu y\u00ea pirsa esl \u00fb esasa min dik\u00ee ez bi nefsa xwe Feq\u00ee Hesen im mala min li \u015e\u00earwan\u015f\u00eax\u00ea li v\u00ea qeza Panos\u00ea xopana Qizqapan\u00ea \/<br \/>\nHere l\u00ea here l\u00ea, gid\u00ee l\u00ea gid\u00ee l\u00ea, ke\u00e7ik l\u00ea\/<\/p>\n<p><strong>Ke\u00e7ik\u00ea digo:<\/strong>\u00a0Lolo feq\u00eeyo ne te digot tu gul \u00ee ez rihan im\/<br \/>\nMalxirabo tu bax \u00ee ez bostan im\/<br \/>\nGid\u00eeyo tu s\u00fbk \u00ee ez dikan im\/<br \/>\nSebra dil\u00ea min tu sedef \u00ee ez mircan im\/<br \/>\nMalxirabo ez dey\u015ft im tu zozan \u00ee\/<br \/>\nLo b\u00eabexto ez tebeq im tu f\u00eencan \u00ee \/<br \/>\nGid\u00eeyo ez s\u00fbk im tu dkan \u00ee\/<br \/>\nLolo kuro \u00eat\u00eemo tu y\u00ea pirsa esl \u00fb esas\u00ea min dik\u00ee ez \u00ea li dey\u015fta \u00c7uxur\u00ea q\u00eeza Mele Muhemmed T\u00eal\u00ee Ey\u015fan im\/<br \/>\nHere lo, here lo, gid\u00ee lo gid\u00ee lo, Feq\u00ee lo\/<\/p>\n<p><strong>Ke\u00e7ik\u00ea digo:<\/strong>\u00a0Lolo Feq\u00eeyo dil\u00ea min kan\u00eeka dor bi qic\u00ee\/<br \/>\nJ\u00ea difire refek kew\u00ea gozel\u00ea goger\u00e7\u00een\u00ea st\u00fb bi narinc\u00ee\/<br \/>\nMalxirabo q\u00eez \u00fb b\u00fbk\u00ea gund\u00ea me d\u00ear\u00ea teva \u00e7iftexas\u00ea sp\u00ee ne<br \/>\n\u00cero li dor\u00ea berhev b\u00fbne li hev dixuric\u00ee\/<br \/>\nOcaxkoro gelo v\u00ea sibeng\u00ea xwezila min bizanibya tu ezeb \u00ee yan zewic\u00ee?<br \/>\nHere lo, here lo, gid\u00ee lo gid\u00ee lo, Feq\u00ee lo\/<\/p>\n<p><strong>Feq\u00ee digo:<\/strong>\u00a0De l\u00eal\u00ea ke\u00e7ik\u00ea ez ji teyra teyr\u00ea per sp\u00ee me\/<br \/>\nEz li ser \u00e7\u00eet \u00fb perde kon\u00ea mala bav\u00ea te r\u00fbni\u015ft\u00eeme\/<br \/>\nEz nizanim \u015fans\u00ea te b\u00fb talih\u00ea min b\u00fb\/<br \/>\nSala par v\u00ee \u00e7ax\u00ee li \u00c7uxur Baz\u00eed\u00ea zewic\u00eeme\/<br \/>\nHere l\u00ea here l\u00ea, gid\u00ee l\u00ea gid\u00ee l\u00ea, ke\u00e7ik l\u00ea\/<\/p>\n<p><strong>Ke\u00e7ik\u00ea digo:<\/strong>\u00a0Lolo Feq\u00eeyo bejna te zirav e ji tay\u00ea rihan\u00ea ji \u015fitla biy\u00ea\/<br \/>\nH\u00ea\u015f\u00een dike li gera biniya mala bav\u00ea min reben\u00ea li Hemod\u00ea li ser kaniy\u00ea\/<br \/>\nHela were qewl \u00fb qerar \u00fb soz \u00fb bext bide min ez \u00ea sedema \u00e7av \u00fb bir\u00fby\u00ea re\u015f \u00fb belek<br \/>\n\u00c7end saleka ji xwe ra qeb\u00fbl bikim qahr \u00fb b\u00eagar\u00ea h\u00eawitiy\u00ea\/<br \/>\nHere lo, here lo, gid\u00ee lo gid\u00ee lo, Feq\u00ee lo\/<\/p>\n<p><strong>Feq\u00ee digo:<\/strong>\u00a0De l\u00eal\u00ea ke\u00e7ik\u00ea here tu y\u00ea w\u00ea der\u00ea \u00e7i sekin\u00ee\/<br \/>\nMalxirab\u00ea te dil\u00ea min kire s\u00ealek ji s\u00eala hesin\u00ee\/<br \/>\nSebr\u00ea gelo v\u00ea sibeng\u00ea te agirek dab\u00fb ser yek da bin\u00ee\/<br \/>\nMalxirab\u00ea here tu li ser do\u015fega Res\u00fbl\u00ea Ekem d\u00ea \u00fb xweh\u00ea min \u00ee\/<br \/>\nHere l\u00ea here l\u00ea, gid\u00ee l\u00ea gid\u00ee l\u00ea, ke\u00e7ik l\u00ea\/<\/p>\n<p><strong>Ke\u00e7ik\u00ea digo:<\/strong>\u00a0Lolo Feq\u00eeyo r\u00eaka gund\u00ea me r\u00ea cade ye\/<br \/>\nLo b\u00eabexto gil\u00ee \u00fb gotin\u00ea bereday\u00ee ji min \u00fb ter a bo\u015f \u00fb b\u00eafayde ye\/<br \/>\nGid\u00ee malxirabo te dest bi naziya kiriye\/<br \/>\nHela tu j\u00ee rabe bigre kit\u00eab \u00fb defter\u00ea xwe siktir be here ji gund\u00ea me ye\/<br \/>\nHere lo, here lo, gid\u00ee lo gid\u00ee lo, Feq\u00ee lo\/<\/p>\n<p><strong>Not:<\/strong>\u00a0Bu dengb\u00eajlik eserinin hik\u00e2yesini bana anlatan, eserin sesli ve g\u00f6r\u00fcnt\u00fcl\u00fc kay\u0131tlar\u0131n\u0131 bana ula\u015ft\u0131ran de\u011ferli dostlar\u0131m, Feq\u00ee Hasan\u2019\u0131n torunu Abdullah Karata\u015f ve bu alanda \u00e7al\u0131\u015fmalar\u0131, eserleri bulunan \u00d6mer G\u00fcne\u015f\u2019e te\u015fekk\u00fcrler, Mala wan ava..<\/p>\n<p><strong>Nevzat Emino\u011flu- Gazete duvar<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8216;Feq\u00ee \u00fb Q\u00eeza Mele&#8217; isimli a\u015fk hik\u00e2yesi, Arap edebiyat\u0131 kaynakl\u0131 olup bir\u00e7ok dilde edebi eserlere konu olmu\u015f ve ayn\u0131 zamanda Kur\u2019an\u2019da ge\u00e7en &#8216;Yusuf ve Z\u00fcleyha&#8217; k\u0131sas\u0131 ile bir\u00e7ok ortak \u00f6\u011fe bar\u0131nd\u0131rmaktad\u0131r. Yaln\u0131z bu hik\u00e2yede &#8216;Yusuf ve Z\u00fcleyha\u2019dan farkl\u0131 bir \u00f6\u011fe olarak kad\u0131n karakter de\u011fil erkek karakter evlidir. \u201cFeq\u00ee \u00fb Q\u00eeza Mele\u201d yani \u201c\u00d6\u011frenci ve Hocan\u0131n &hellip;<\/p>\n","protected":false},"author":32,"featured_media":23799,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[103],"tags":[1616],"class_list":["post-23798","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-kultur","tag-manset"],"_links":{"self":[{"href":"https:\/\/candname.com\/tr\/index.php?rest_route=\/wp\/v2\/posts\/23798","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/candname.com\/tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/candname.com\/tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/candname.com\/tr\/index.php?rest_route=\/wp\/v2\/users\/32"}],"replies":[{"embeddable":true,"href":"https:\/\/candname.com\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=23798"}],"version-history":[{"count":1,"href":"https:\/\/candname.com\/tr\/index.php?rest_route=\/wp\/v2\/posts\/23798\/revisions"}],"predecessor-version":[{"id":23800,"href":"https:\/\/candname.com\/tr\/index.php?rest_route=\/wp\/v2\/posts\/23798\/revisions\/23800"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/candname.com\/tr\/index.php?rest_route=\/wp\/v2\/media\/23799"}],"wp:attachment":[{"href":"https:\/\/candname.com\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=23798"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/candname.com\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=23798"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/candname.com\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=23798"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}