K\u00fcrt opera sanat\u00e7\u0131s\u0131 Pervin \u00c7akar, K\u00fcrt halk\u0131n\u0131n hen\u00fcz operayla tan\u0131\u015fmad\u0131\u011f\u0131n\u0131 belirterek, \u201cHalk \u015fark\u0131lar\u0131yla bunu ilerleterek, K\u00fcrt operas\u0131na gitmeye y\u00f6nelik en b\u00fcy\u00fck ad\u0131m\u0131 atabilece\u011fimizi d\u00fc\u015f\u00fcn\u00fcyorum\u201d dedi.<\/p>\n
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Pervin \u00c7akar, \u201cOpera daha \u00e7ok aristokrasiye hitap eden bir sanat dal\u0131d\u0131r. Operan\u0131n k\u00f6k\u00fcn\u00fc dengbejlikten ald\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcyorum. \u00c7\u00fcnk\u00fc b\u00fct\u00fcn toplumlar birbirinden etkilenirler\u201d diye konu\u015ftu.<\/p>\n
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K\u00fcrt soprano \u00c7akar, hedeflerini her zaman y\u00fcksek tuttu\u011funu belirterek, \u201cKendimi m\u00fckemmel g\u00f6rmem. Kendimi m\u00fckemmel g\u00f6rmedi\u011fim zamanda daha fazla i\u015f yapmak isterim. Daha fazla y\u00fckselmek isterim. Arkaya bakt\u0131\u011f\u0131m zaman ger\u00e7ekten bir\u00e7ok \u015fey yapt\u0131m\u201d ifadelerini kulland\u0131<\/p>\n
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K\u00fcrdistan B\u00f6lgesi\u2019ne ziyaret amac\u0131n\u0131z?<\/strong><\/p>\n \u00a0<\/strong><\/p>\n K\u00fcrdistan B\u00f6lgesi\u2019ne ziyaret amac\u0131m; m\u00fczisyen Hejar Zehavi\u2019nin K\u00fcrt ve uluslararas\u0131 m\u00fczisyenler \u00fczerine yapm\u0131\u015f oldu\u011fu bir program kapsam\u0131nda kendisinin daveti \u00fczerine geldim.<\/p>\n <\/p>\n \u0130lk defa m\u0131 geliyorsunuz? Erbil\u2019deki ilk izleminiz nas\u0131l?<\/strong><\/p>\n <\/p>\n Evet ilk kez geliyorum. Yo\u011funluktan dolay\u0131 hen\u00fcz tam olarak gezemedim. Sonu\u00e7ta \u00e7ekimler i\u00e7in buraday\u0131m. Gezebilirsem bu konuda bir\u015feyler s\u00f6yleyebilirim. Ama Erbil Kalesi\u2019ne gittim \u00e7ok g\u00fczeldi.<\/p>\n <\/p>\n Program\u0131n i\u00e7eri\u011fi hakk\u0131nda bilgi verir misiniz?<\/strong><\/p>\n <\/p>\n Sanat ya\u015fam\u0131m\u0131 konu alan belgesel niteli\u011finde bir program olacak.<\/p>\n <\/p>\n Operada K\u00fcrt\u00e7e\u2019ye yer verme fikri nas\u0131l do\u011fdu?<\/strong><\/p>\n <\/p>\n 2011 y\u0131l\u0131nda Roboski olaylar\u0131 olmu\u015ftu. Bu olaydan \u00e7ok etkilenmi\u015ftim. O s\u0131rada \u0130talya\u2019da bir konserim vard\u0131. Bu olay acayip bir etkile\u015fim bende yaratt\u0131. \u0130nternetten K\u00fcrt sanat\u00e7\u0131 ve \u015fark\u0131lar\u0131 aramaya ba\u015flad\u0131m. Ara\u015ft\u0131rmalar\u0131m s\u00fcrecinde kendimi bir okyanus\u0131n i\u00e7inde buldum ve bunu kendi \u00e7al\u0131\u015fma alan\u0131mda kulland\u0131m.<\/p>\n <\/p>\n Dengbejlik ile opera aras\u0131nda nas\u0131l bir fark var?<\/strong><\/p>\n <\/p>\n Tabii dengbejlik gelene\u011fi ile opera iki farkl\u0131 konu, bir nevi iki ayr\u0131 sanat dal\u0131 diyebiliriz. Dengbejlik daha \u00e7ok halka malolmu\u015f halktan \u00e7\u0131kt\u0131. Opera ise daha \u00e7ok aristokrasiye hitap eden bir sanat dal\u0131d\u0131r. Bence operan\u0131n k\u00f6k\u00fcn\u00fc dengbejlikten ald\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcyorum. \u00c7\u00fcnk\u00fc b\u00fct\u00fcn toplumlar bir birinden etkilenirler. Opera ile dengbejlik aras\u0131nda pek \u00e7ok fark vard\u0131r. Birbirine benze\u015fti\u011fi noktalar \u201ckonudur.\u201d Bir \u015fark\u0131n\u0131n y\u00fckseltilerek veya a\u015fa\u011f\u0131ya \u00e7ekilerek s\u00f6ylenilmesi ya da uzun c\u00fcmleler kullan\u0131lmas\u0131, konu\u015fur gibi c\u00fcmleler kullan\u0131lmas\u0131 operada da kullan\u0131lan tekniklerdir.<\/p>\n <\/p>\n Fakat operada orkestra kullan\u0131l\u0131rken, dengbejlikte bir ya da iki taraf aras\u0131nda s\u00f6ylenir ve bunu yaparken de ya bir enst\u00fcrman kullan\u0131lmayabilir. Dengbejlikte bir konu vard\u0131r operada da bir konu vard\u0131r. Opera da dekor, kost\u00fcm ve orkestra vard\u0131r. Bir di\u011fer anlamda arkas\u0131nda b\u00fcy\u00fck bir haz\u0131rl\u0131k vard\u0131r.<\/p>\n <\/p>\n Bence dengbejlik gelene\u011finin arkas\u0131nda mutlaka b\u00fcy\u00fck bir yetene\u011fin olmas\u0131 gerekiyor. Yetenek olmad\u0131\u011f\u0131 zaman kesinlikle b\u00f6yle bir destan\u0131, hikayeyi anlatmak bu denli m\u00fcmk\u00fcn de\u011fil.<\/p>\n <\/p>\n En \u00e7ok hangi dengbejleri be\u011feniyorsunuz?<\/strong><\/p>\n <\/p>\n Mirate K\u0131n\u00ea ve \u015eak\u0131ro\u2019dur. \u015eak\u0131ro\u2019yu olduk\u00e7a be\u011feniyorum. \u0130nan\u0131lmaz b\u00fcy\u00fck bir ses, bence K\u00fcrtlere malolmu\u015f b\u00fcy\u00fck bir zenginliktir.<\/p>\n <\/p>\n Mem \u00fb Z\u00een\u2019i operaya uyarlamaya ili\u015fkin bir projeniz var. S\u00f6z konusu proje ne a\u015famada?<\/strong><\/p>\n <\/p>\n Yakla\u015f\u0131k 13 y\u0131ld\u0131r Mem \u00fb Z\u00een\u2019in operala\u015ft\u0131r\u0131lmas\u0131 i\u00e7in \u00e7al\u0131\u015f\u0131yorum. \u00d6zellikle sponsor bulma konusunda…\u00c7\u00fcnk\u00fc opera az \u00f6nce bahsetti\u011fimiz gibi sahne, kost\u00fcm ve orkestras\u0131, liberatos\u00fc – S\u00f6z ve sahneli\u015fi- var ve b\u00fct\u00fcn bunlar\u0131n hepsi \u00e7ok zahmet gerektiren bir \u00e7al\u0131\u015fma ve olduk\u00e7a maliyetli bir \u00e7al\u0131\u015fma oldu\u011fu i\u00e7inde b\u00fcy\u00fck bir sponsor gerekiyor. \u0130yi bir sponsor buldu\u011fumuz an bu projeyi mutlaka ger\u00e7ekle\u015ftirmek istiyorum. Mem \u00fb Z\u00een\u2019in hikayesini t\u00fcm d\u00fcnyaya duyurmam\u0131z gerekti\u011fini d\u00fc\u015f\u00fcn\u00fcyorum.<\/p>\n <\/p>\n Projeniz i\u00e7in K\u00fcrdistan B\u00f6lgesi H\u00fck\u00fcmeti veya ilgili kurumlardan talepte bulundunuz mu?<\/strong><\/p>\n <\/p>\n Tabii ki sizlerin arac\u0131l\u0131\u011f\u0131yla b\u00f6yle bir talepte bulunmak istiyorum. E\u011fer b\u00f6yle bir konuda desteklerini sunarlarsa neden olmas\u0131n. B\u00f6ylece K\u00fcrt k\u00fclt\u00fcr\u00fcn\u00fc, \u00f6zellikle K\u00fcrt m\u00fczi\u011fini b\u00fct\u00fcn d\u00fcnyaya g\u00f6sterme ve tan\u0131tma \u015fans\u0131m\u0131z olacakt\u0131r.<\/p>\n <\/p>\n Peki K\u00fcrt\u00e7e\u2019nin Sorani ve Zazaca leh\u00e7elerine y\u00f6nelik \u00e7al\u0131\u015fmalar\u0131n\u0131z var m\u0131?<\/strong><\/p>\n <\/p>\n Bildi\u011finiz \u00fczere b\u00fct\u00fcn K\u00fcrt halk \u015fark\u0131lar\u0131n\u0131 opera tekni\u011fiyle s\u00f6yl\u00fcyorum. Bunu yapmamdaki ama\u00e7 benim i\u00e7in bir al\u0131\u015ft\u0131rma bir ad\u0131md\u0131r. Bir nevi nab\u0131z yoklama gibi. \u00c7\u00fcnk\u00fc K\u00fcrt halk\u0131 hen\u00fcz operayla tan\u0131\u015fmam\u0131\u015f bir halk. Klasik m\u00fczik ve operayla pek ha\u015firne\u015fir olmayan bir halk\u0131z. Ama halk \u015fark\u0131lar\u0131yla ba\u015flayarak bunu ilerletebiliriz. B\u00f6ylelikle K\u00fcrt operas\u0131na gitmeye y\u00f6nelik en b\u00fcy\u00fck ad\u0131m olaca\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcyorum.<\/p>\n <\/p>\n Ba\u015fta \u0130talyanlar olmak \u00fczere Avrupl\u0131lar\u0131n K\u00fcrt\u00e7e operaya bak\u0131\u015f\u0131 nas\u0131l?<\/strong><\/p>\n <\/p>\n Kuzey \u0130talya\u2019da pek\u00e7ok etnik grup var. Ve bunlar kendilerini ifade etmekte onlarda zorlan\u0131yorlar. Sicilya veya Sardenya da olsun ayn\u0131 durum. Onlardan \u00e7ok g\u00fczel tepkiler al\u0131yorum. K\u00fcrtleri \u00e7ok seviyorlar. \u00d6zellikle K\u00fcrt m\u00fczi\u011fine ilgileri \u00e7ok b\u00fcy\u00fck. S\u00f6yledi\u011finiz zaman b\u00fcy\u00fck bir duygusall\u0131k ya\u015f\u0131yorlar. Asl\u0131nda e\u011flenceli bir halk\u0131z. Halay \u00e7ekmemizden danslar\u0131m\u0131zdan olsun. San\u0131r\u0131m ezgilerimizin ve melodilerimizin i\u00e7erisinde bir h\u00fcz\u00fcn var. Bu halay bile olsa i\u00e7indeki o \u00fcz\u00fcnt\u00fc ve kederi hissedebiliyor ve g\u00f6rebiliyoruz. San\u0131r\u0131m yabanc\u0131lar\u0131n da \u00f6zellikle de \u0130talyanlar\u0131n bunu g\u00f6rebildiklerini hissediyorum. Bu nedenle de kend\u015flerine yak\u0131n hisediyorlar. Onlarda romantik ve duygusal bir halk. K\u00fcrtlerin ezildiklerini \u00e7ok iyi biliyorlar. Be nedenle de \u00e7ok iyi destekleri var.<\/p>\n <\/p>\n K\u00fcrtlerin operaya bak\u0131\u015f\u0131 nas\u0131l?<\/strong><\/p>\n <\/p>\n Yapt\u0131\u011f\u0131m \u00e7al\u0131\u015fmalara y\u00f6nelik tepkiler \u00e7ok \u00e7ok g\u00fczel. Halk m\u00fczi\u011fi stranlar\u0131m\u0131z\u0131 opera tekni\u011fiyle seslendiriyorum \u015fu an. Az \u00f6nce belitti\u011fim gibi K\u00fcrt operas\u0131na gidebilmek i\u00e7in benim i\u00e7in bir ad\u0131m. Bir nab\u0131z yoklamas\u0131 daha do\u011frusu. \u0130lk defa b\u00f6yle bir m\u00fczikle kar\u015f\u0131la\u015f\u0131yorlar ve g\u00fczel tepkiler al\u0131yorum. Bug\u00fcne kadar halk m\u00fczi\u011fi, sanat m\u00fczi\u011fi, pop duydular, arabesk duydular ama opera tekni\u011fiyle K\u00fcrt\u00e7e halk \u015fark\u0131lar\u0131n\u0131 ilk kez duydular. Bunu yapt\u0131\u011f\u0131mda da bu yerin ger\u00e7ekten de bo\u015f oldu\u011funu farkettim ve bu bo\u015flu\u011fu doldurmak istedim.<\/p>\n <\/p>\n M\u00fczi\u011fe ilk ba\u015flad\u0131\u011f\u0131n\u0131z andan bug\u00fcne kadar hedeflediklerinizi yerine getirdi\u011finiz mi? \u015eu andaki konumuza bakt\u0131\u011f\u0131n\u0131z da hayal etti\u011finiz istedi\u011finiz yerde misiniz?<\/strong><\/p>\n <\/p>\n A\u00e7\u0131kcas\u0131 hedeflerimi her zaman y\u00fcksek tutan biriyim. Hayalperestim. Hedeflerim ne kadar y\u00fcksek olursa benim i\u00e7in o kadar iyi olur. \u00c7\u00fcnk\u00fc kendimi m\u00fckemmel g\u00f6rmem. M\u00fckemmel g\u00f6rmedi\u011fimi zamanda daha fazla i\u015f yapmak isterim. Daha fazla y\u00fckselmek isterim. Ama arkaya bakt\u0131\u011f\u0131m zaman ger\u00e7ekten bir\u00e7ok \u015fey yapt\u0131m. \u0130talya\u2019da senfonilerde, orkestralarda s\u00f6yledim. Konserler verdim rollerde oynad\u0131m. Bunlar\u0131n hi\u00e7biri kolay i\u015fler de\u011fildi. Her biri birer emek birer \u00e7aba, azimle olu\u015fmu\u015f i\u015fler. \u0130nsan\u0131n kendisiyle gurur duymas\u0131 bence \u00e7ok \u00f6nemli ve \u00f6nce siz kendinizle gurur duyacaks\u0131n\u0131z ki ba\u015fkalar\u0131 da sizinle gurur duysun. Sizinle yol katedenler ve seyircilerinizde sizinle gurur duydu\u011funda motivasyon da daha \u00e7ok art\u0131yor. Tabii \u00f6zg\u00fcven bu i\u015fte \u00e7ok \u00e7ok \u00f6nemlidir.<\/p>\n <\/p>\n Bundan sonraki projeleriniz neler?<\/strong><\/p>\n <\/p>\n Konserlerim devam edecek T\u00fcrkiye\u2019de yapmay\u0131 planlad\u0131\u011f\u0131m konserlerim var. Berlin\u2019de bir konserim var. Kuzey \u0130talya\u2019da konserlerim olacak. Orada da K\u00fcrt halk \u015fark\u0131lar\u0131n\u0131 klasik bat\u0131 format\u0131nda seslendirece\u011fim.<\/p>\n <\/p>\n PORTRE \/ Pervin \u00c7akar<\/em><\/strong><\/p>\n <\/p>\n 1981 y\u0131l\u0131nda Mardin\u2019de be\u015f \u00e7ocuklu bir ailenin ilk \u00e7ocu\u011fu olarak d\u00fcnyaya gelen Pervin \u00c7akar, m\u00fczik e\u011fitimine 1995 y\u0131l\u0131nda Diyarbak\u0131r Anadolu G\u00fczel Sanatlar Lisesi’nde ba\u015flad\u0131. 1999\u2019da ayn\u0131 liseden birincilikle mezun oldu. Ayn\u0131 y\u0131l\u00a0Gazi \u00dcniversitesi\u00a0M\u00fczik \u00d6\u011fretmenli\u011fi B\u00f6l\u00fcm\u00fc\u2019nde ba\u015flad\u0131\u011f\u0131 y\u00fcksek \u00f6\u011frenimini 2003 y\u0131l\u0131nda \u00fcniversitenin \u015ean Ana Sanat Dal\u0131\u2019nda tamamlad\u0131.<\/p>\n <\/p>\n Oylun Davran Erday\u0131 e\u015fli\u011finde ba\u015flad\u0131\u011f\u0131 opera \u00e7al\u0131\u015fmalar\u0131n\u0131 2004-2005 y\u0131llar\u0131 aras\u0131nda\u00a0\u0130talya\u2019da Accademia d\u2019Arte Lirica M\u00fczik Akademisi\u2019nde Carmen Gonzales, William Mattetuzzi, Antonio Juvarra, H.Lawson, 2006-2008 y\u0131llar\u0131 aras\u0131nda ise Accademia Internazionale Musicale di Perugia’da Sergio Bertocchi ile s\u00fcrd\u00fcrd\u00fc.<\/p>\n <\/p>\n \u00c7akar, 2006 y\u0131l\u0131nda \u0130talyan h\u00fck\u00fcmetinin vermi\u015f oldu\u011fu burstan yararlanarak opera e\u011fitimine \u0130talya\u2019da devam etti. Luciana Serra, Lella Cuberli, Tiziana Fabbricini, Mietta Sighele ve Veriano Luchetti\u2019nin masterclass program\u0131na kat\u0131ld\u0131.<\/p>\n <\/p>\n 2008\u2019 de \u0130talya\u2019da Perugia F. Morlacchi Devlet Konservatuvar\u0131\u2019ndan pekiyi derece ile diploma ald\u0131. Ayn\u0131 konservatuvarda en y\u00fcksek derece ile masterini tamamlad\u0131.<\/p>\n <\/p>\n \u0130talya’daki ilk performans\u0131n\u0131 2006’da\u00a0Milano\u2019daki Teatro Rosetum Sahnesi\u2019nde \u201cWerther\u201d adl\u0131 Frans\u0131zca operada \u201cSophie\u201d rol\u00fcnde ger\u00e7ekle\u015ftirdi. \u00c7e\u015fitli sahnelerde\u00a0Mozart\u2019\u0131n \u201cDer Schauspieldirektor\u201d Operas\u0131\u2019nda \u201cMadame Herz\u201d rol\u00fcyle ve 2007’de Teatro Politeama Greco di Lecce sahnesinde \u201cDer Rosenkavalier\u201d’ (G\u00fcll\u00fc \u015e\u00f6valye) adl\u0131 Almanca operada \u201cMarianne\/Duenna\u201d rolleriyle sahne ald\u0131.<\/p>\n <\/p>\n 2008-2009 aras\u0131nda \u0130talya\u2019da d\u00fczenlenen 60. AsLiCo (Avrupa Gen\u00e7 Opera \u015eark\u0131c\u0131lar\u0131 Yar\u0131\u015fmas\u0131) finalisti oldu. 2009 y\u0131l\u0131nda ayr\u0131ca\u00a0Venedik\u2019teki\u00a0Teatro La Fenice\u00a0sahnesinde \u201cMaria Stuarda\u201d’da \u201cAnna Kennedy\u201d rol\u00fcn\u00fc sahneledi. Musica Riva Festivali’nde \u201cRigoletto\u201d’da \u201cGilda\u201d rol\u00fc ve 2009 Wexford Festivali\u2019nde \u201cLa Cambiale di Matrimonio\u201d’da \u201cFanny\u201d rol\u00fc ile uluslararas\u0131 ilgi toplad\u0131.<\/p>\n <\/p>\n Sanat\u00e7\u0131,\u00a02010 y\u0131l\u0131nda d\u00fczenlenen\u00a06. Leyla Gencer \u015ean Yar\u0131\u015fmas\u0131\u2019nda\u00a0\u00fc\u00e7\u00fcnc\u00fcl\u00fc\u011f\u00fc Alman mezzo-soprano Anna Lapkovskaja ile payla\u015ft\u0131. Sanat\u00e7\u0131 2010\u2019da ayr\u0131ca\u00a0Arnavutluk’un\u00a0Tiran\u00a0\u015fehrinde d\u00fczenlenen 11. Marie Kraja Opera Festivali Yar\u0131\u015fmas\u0131 ve\u00a0\u0130talya’n\u0131n\u00a0Milano\u00a0kentindeki 4.Uluslararas\u0131 Magda Olivero Opera Yar\u0131\u015fmalarindan ikincilik \u00f6d\u00fcllerini alm\u0131\u015ft\u0131r.<\/p>\n <\/p>\n Pervin Chakar ayr\u0131ca 2011 y\u0131l\u0131nda \u0130talya\u2019n\u0131n Sulmona kentinde d\u00fczenlenen 28. Uluslararas\u0131 Maria Caniglia Opera Yar\u0131\u015fmas\u0131’nda birincilik ve New York Lotte Lehmann Vakfi taraf\u0131ndan \u201cEn \u0130yi Kad\u0131n Sesi \u00d6zel \u00d6d\u00fcl\u00fc\u201d\u2019n\u00fc kazand\u0131.<\/p>\n <\/p>\n 2012 y\u0131l\u0131nda Paris Accademie Disque du Lyrique taraf\u0131ndan Grand Prix Leyla Gencer Alt\u0131n Orfeo ( Orfee D’or ) en iyi kad\u0131n sesi \u00f6d\u00fcl\u00fcne lay\u0131k g\u00f6r\u00fclmesinin ard\u0131ndan Semiha Berksoy Opera Vakf\u0131 taraf\u0131ndan en iyi kad\u0131n sesi \u00f6d\u00fcl\u00fcn\u00fc de alm\u0131\u015ft\u0131r. 2013 y\u0131l\u0131nda Andante 4. Donizetti Klasik M\u00fczik \u00d6d\u00fcllerinde yine en iyi kad\u0131n opera sanat\u00e7\u0131s\u0131 \u00f6d\u00fcl\u00fcn\u00fc alm\u0131\u015ft\u0131r.<\/p>\n Rudaw<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" K\u00fcrt opera sanat\u00e7\u0131s\u0131 Pervin \u00c7akar, K\u00fcrt halk\u0131n\u0131n hen\u00fcz operayla tan\u0131\u015fmad\u0131\u011f\u0131n\u0131 belirterek, \u201cHalk \u015fark\u0131lar\u0131yla bunu ilerleterek, K\u00fcrt operas\u0131na gitmeye y\u00f6nelik en b\u00fcy\u00fck ad\u0131m\u0131 atabilece\u011fimizi d\u00fc\u015f\u00fcn\u00fcyorum\u201d dedi. Pervin \u00c7akar, \u201cOpera daha \u00e7ok aristokrasiye hitap eden bir sanat dal\u0131d\u0131r. Operan\u0131n k\u00f6k\u00fcn\u00fc dengbejlikten ald\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcyorum. \u00c7\u00fcnk\u00fc b\u00fct\u00fcn toplumlar birbirinden etkilenirler\u201d diye konu\u015ftu. K\u00fcrt soprano \u00c7akar, hedeflerini her …<\/p>\n","protected":false},"author":32,"featured_media":21531,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[698,1539],"tags":[1616,3497,3500,17,5536],"class_list":["post-21530","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-muzik","category-roportaj","tag-manset","tag-opera","tag-pervin-cakar","tag-slide","tag-soprano"],"_links":{"self":[{"href":"https:\/\/candname.com\/tr\/index.php?rest_route=\/wp\/v2\/posts\/21530","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/candname.com\/tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/candname.com\/tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/candname.com\/tr\/index.php?rest_route=\/wp\/v2\/users\/32"}],"replies":[{"embeddable":true,"href":"https:\/\/candname.com\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=21530"}],"version-history":[{"count":0,"href":"https:\/\/candname.com\/tr\/index.php?rest_route=\/wp\/v2\/posts\/21530\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/candname.com\/tr\/index.php?rest_route=\/wp\/v2\/media\/21531"}],"wp:attachment":[{"href":"https:\/\/candname.com\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=21530"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/candname.com\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=21530"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/candname.com\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=21530"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}